As the entertainment industry evolves, composers are presented with new challenges. To help fulfill a composer's vision, a talented orchestrator is essential.
In my approach to orchestration I follow two principles : clarity and resonance.
When working with a musical sketch, I distribute the music to embody clarity and depth. Resonance is created through specific voicing of instrument families. If necessary, it can double the sonic impression of an ensemble.
This distinct approach to orchestration is informed by study and experience. I earned a Master's degree in Film Scoring from NYU; studying for over a year with orchestrator Deniz Hughes (Elliot Goldenthal). In addition, I have attended workshops under the tutelage of orchestrator Scott Smalley (Danny Elfman).
In 2009, Milosz worked as orchestrator and conductor for Paul Cantelon. The project is a feature film set for fall 2010 release, starring Hilary Swank. Samples from this score can be heard on the player to the left, (labeled LIVE_BAW). The ensemble features 12 strings, harp, and piano. The score was recorded at ‘Germano Studios’ and ‘Avatar Studios’ in Manhattan.